A previously unreleased cult Norwegian psych-jazz OST from 1969! A hell of a jazz soundtrack from the Norwegian scene of the 60s – and a record that can easily go head-to-head with the best Italian film scores of the time! The movie's about some young kids trying out some new frontiers in the 60s – and the music has a vibe that really fits the story – sometimes more in a jazz club vein, with great soulful styles – sometimes a bit more freaked out, like those Italian soundtracks that add a slight psychedelic current to familiar instrumentation! Most numbers here are discreet jazz tracks, not just short soundtrack instrumentals – and the musicianship is wonderful, and much more fully-formed than if the tunes were brief. Players aren't listed, but the notes indicate that some top Norway jazzmen performed on the date – and titles include "Zatek's Tema", "Club 13", "Pytagoras", "Heaven & Hell", "Mote Med Hasj", and "Vigelandsparken". The album also features one vocal track – Inger Lise Andersen singing "Heaven & Hell".
This trio led by Claude Engel made a legendary album . Just 1,000 copies were pressed in 1969. Side one had 5 short songs with English lyrics, ranging from heavy progressive blues-rock to largely acoustic songs (comparable to Cream and Blind Faith). Claude Engel's voice is also quite similar to Jack Bruce's. The other side had a long live track named "Voyelles", based on a poem by Arthur Rimbaud, including a recitation. This is the primal scream of "zeuhl" rock, in a very raw and rudimentary form that quite a few will interpret as vaguely planned three man jamming. Overall the album is undoubtedly historical, but not entirely satisfying for all that.
CD reissue of the 1966 LP, originally released on ESP Disk. Limited edition (1000 copies). One track from the original, "Interview With Hairy", is omitted.
LP-style card sleeve, containing a paper sheet wrapped around an inner sleeve (featuring the Get Back logo).
An audio collage based on a radio broadcast about the wedding of Luci Johnson (daughter of U.S. President Johnson).
The album appears as one continuous track on the CD. (Total time: 22:56.) The tracklisting as printed is:
LUCI'S WEDDING by plastic clock radio
IF I HAD A HALF A MIND by Steve Weber
GOSSIP by Gerard Malanga and Ingrid Superstar
NOISE by The Velvet Underground
JAZZ IMPROV by Marion Brown, Scott Holt, and Ron Jackson
MANTRAS by Allan[sic] Ginsberg and Peter Orlovsky
LUCI'S WEDDING by plastic clock radio
LOVE AND ASHES by Tuli Kupferberg sung by Kupferberg and Viki Pollon with Peter Rawson on guitar.
THE FREE LANCE PALL BEARERS (c) copyright 1966 Ishmael Reed
SILENCE by Andy Warhol (c) copyright 1932
The East Village Other (LP)ESP Disk1034US1966
East Village Other (EVO) (CD, RE)ESP Disk, ZYX MusicESP 1034-2GermanyUnknown
The East Village Other ?(LP, Etch, S/Sided)Get BackGET 1012Italy1998
The East Village Other (LP)ESP Disk1034LPUS2013
Noise By The Velvet Underground (LP, Unofficial, Gol)Not On Label (The Velvet Underground)noneUS1980
1Rape Me
Other [Originally By] – Nirvana
1:55
2People = S**t
Other [Originally By] – Slipknot
2:03
3Baby Got Back
Other [Originally By] – Sir Mix-A-Lot
2:46
4Girls, Girls, Girls
Other [Originally By] – Mötley Crüe
2:00
5Closer
Other [Originally By] – Nine Inch Nails
2:20
6Bust A Move
Other [Originally By] – Young MC
1:56
7Down With The Sickness
Other [Originally By] – Disturbed
2:10
8Sunday Bloody Sunday
Other [Originally By] – U2
1:37
9Freak On A Leash
Other [Originally By] – Korn
1:27
10Nookie
Other [Originally By] – Limp Bizkit
1:46
11Another Brick In The Wall (Pt. 2)
Other [Originally By] – Pink Floyd
2:13
12Rock The Casbah
Other [Originally By] – The Clash
1:22
13Fight For Your Right
Other [Originally By] – The Beastie Boys
2:06
14Hot For Teacher
Other [Originally By] – Van Halen
2:38
15Gin And Juice
Other [Originally By] – Snoop Dogg
2:24
16Come Out And Play
Other [Originally By] – The Offspring
2:40
17Badd
Other [Originally By] – Ying Yang Twins
3:15
18Creep
Other [Originally By] – Radiohead
2:33 2006
1T.N.T.
Other [Originally By] – AC/DC
Written-By – Young, Scott, Young
1:53
2Gimmie That Nutt
Other [Originally By] – Eazy-E
Written-By – Yella
2:29
3Need You Tonight
Other [Originally By] – INXS
Written-By – Andrew Farriss, Michael Hutchence
3:04
4Billie Jean (Live)
Other [Originally By] – Michael Jackson
Written-By – Michael Jackson
3:20
5One Love
Other [Originally By] – Bob Marley
Written-By – Bob Marley, Neville Livingston
2:11
6Super Freak
Other [Originally By] – Rick James
Written-By – Alonzo Miller, Rick James
2:38
7Diff’rent Strokes Theme (Live)2:06
8Smells Like Teen Spirit (Instrumental)
Other [Originally By] – Nirvana
Written-By – Nirvana
1:39
9Cum On Feel The Noize
Other [Originally By] – Quiet Riot/Slade
Written-By – Jim Lea, Noddy Holder
1:43
10I Am The Walrus
Other [Originally By] – The Beatles
Written-By – Lennon-McCartney
2:00
11Darth Vader’s Theme (Live)2:53
12People = Shit (Early Demo)
Other [Originally By] – Slipknot
Written-By – Slipknot
2:03
13Stairway To Heaven
Other [Originally By] – Led Zeppelin
Written-By – Jimmy Page, Robert Plant
3:30
14Doin’ Time (Live)
Other [Originally By] – Sublime
Written-By – Brad Nowell, Marshall Goodman
Written-By [Summertime] – Dubose & Dorothy Heyward, George & Ira Gershwin
5:13
15Too Soon4:58 2012
A1Strassenfahrt Durch Wien
A2Ich Habe Tranen
A3Tempelmusik
A4Gospelsong
A5Wir Sind Hier Auf Einer Insel
A6Weisser Sand
A7Ich Kann's Nicht Glauben
A8Jazzwiese
B1Ein Korper Sind Wir
B2Song Ohne Worte
B3Sexsong
Der Teufel Hole... / Wie Ein Kristall In Einer Schale
B4aDer Teufel Hole...
B4bWie Ein Kristall In Einer Schale
B5Hey Boy, Come On
B6Macht Die Augen Auf
B7Spiegellied
B8Schlussmusik 1972
"Trip" was the Austrian version of the musical "Hair", just a bit more extreme in all its facets. The 1971 produced by ORF hippie opera once scared the Austrian television audience, as here drug-consuming, long-haired adolescents were shown who seek a way out of reality and find their redeemer in a dodgy guru. Embedded in glaring stage sets designed by the painter Ernst Fuchs, the narrative ultimately imploded in a hallucinogenic horror trip. The visual impression was further enhanced by a well-prepared soundtrack under the direction of Viennese musician legend Fatty George, who experimented with sitar, psychedelic funk and quirky jazz elements. In his band were future superstars, such as Karl Ratzer, Peter Wolf, Richard Schoenherz and Leszek Zadlo, who were still at the beginning of their career in 1971. After the finished production of the soundtrack, the jazz musicians joined the ORF Big Band collective, the rockers founded Gipsy Love. The "Trip" is not only an important piece of local pop history, but is universally considered among experts one of the most successful music productions of the local hippie era. The Innsbruck-based label Digatone is now releasing for the first time a lovingly restored reissue of the soundtrack LP, which at that time only appeared in small numbers and has now reached high collector's orders on file sharing. After the finished production of the soundtrack, the jazz musicians joined the ORF Big Band collective, the rockers founded Gipsy Love. The "Trip" is not only an important piece of local pop history, but is universally considered among experts one of the most successful music productions of the local hippie era. The Innsbruck-based label Digatone is now releasing for the first time a lovingly restored reissue of the soundtrack LP, which at that time only appeared in small numbers and has now reached high collector's orders on file sharing. After the finished production of the soundtrack, the jazz musicians joined the ORF Big Band collective, the rockers founded Gipsy Love. The "Trip" is not only an important piece of local pop history, but is universally considered among experts one of the most successful music productions of the local hippie era. The Innsbruck-based label Digatone is now releasing for the first time a lovingly restored reissue of the soundtrack LP, which at that time only appeared in small numbers and has now reached high collector's orders on file sharing.
(Source: ACCORDIA 1st Austrian Record Club)
Digatone present the first official reissue of Fatty George Und Silke Schwinger’s Trip the long lost and extremely rare Austrian hippie-rock/jazz/funk opera score from 1971. Features, among others, Su Kramer (also known from the Hair album and stage play featuring Czechoslovakian band The Matadors), Fatty George, Karl Ratzer, Peter Wolf, Richard Schoenherz, and Leszek Zadlo. Originally released in 1972 by Telefunken in Germany in a small quantity, and now highly collectable, the LP combines funk, pop, psychedelia, acid jazz, and gospel. Performed with electric guitar, flute, organ, sitar, and more, this music has been frequently sampled in recent years. Produced for Austrian TV, the story is about a guru who comes to Vienna to preach about a world with no technology, but with lots of drugs. However, when a young boy dies after an LSD trip, things go terribly wrong. Includes an insert supplying background information in German and English; Edition of 1000….~
Trip was an early 70s Austrian pop-opera concerning the reception given to a black messiah in the modern age. Touching on the youth concerns of the time, it made a strong impact in Austria, where this extremely rare soundtrack album was issued in 1972. Spanning funk, pop, acid jazz and gospel, with electric guitar, flute, organ, sitar and more, it has been sampled in recent years (notably the epic breakbeat in White Sand) and makes its CD debut here…..~
“Trip” is an Austrian rock opera about a guru who came to Vienna to preach life without modern technology, but with a lot of drugs, from which he eventually dies himself. The work was created by scriptwriter Silke Schwinger and jazz musician Franz Pressler (nicknamed Fetty George). It was first staged in 1971 on the stage of the Salzburg Festival, and then appeared as an album and a television movie. The recording is a jazz-funk with a powerful psychedelic guitar and a rich vocal palette…..~
Today we are dedicated to a sensational, ultimately completely forgotten climax of domestic television history and its accompanying soundtrack. Based on a play by Silke Schwinger, the revolutionary TV show “Trip” was shot in 1971 within a few days of filming. On August 8th, it aired on the ORF’s night program - and then disappeared into the archives, singing and singing.
The plot of the film is simple and good: A self-proclaimed Messiah, the charismatic preacher Ronny Nia comes to Vienna for 10 days to proclaim the universal love of God. Already on his arrival at the airport, he and his entourage expect a euphoric teen fanbase and a local press service. Unforgettable is the young Peter Rapp as an interviewing - and visibly irritated - TV reporter. All around: television cameras, autograph hunters, flower children, police.
Peppered with a top-class ensemble of German-speaking stage actors of the day (such as Julia Migenes, Su Kramer and Ron Williams), the “Trip” accompanies a group of young hippies, who have quickly formed around the prominent guest, at their debauchery, from an underground happening to the next. It is hilariously celebrated, danced and sung. And yes, drugs are probably also in the game.
But it comes, as it must come: After the initial ecstasy crashes, disillusionment and depression follow. As a member of the gang dies of an overdose, the mood tips. And since religious leader Ron still has no essential answers, the group finally breaks up. Remarkably, the narrative of “Trip” renounces the upscale, moral index finger and, in the meantime, steers towards an open, impulsive end.
The experimental design of the film, for which director Jorg Eggers was responsible, is groundbreaking for viewing habits at that time. Minute-long scenes of a single shot are followed by hallucinogenic nightmare sequences with psychedelic transitions and fast-paced sequences; an aesthetic reminiscent of the work of American underground filmmaker Kenneth Anger. A stage design specially designed by the painter Ernst Fuchs does the rest.
The media review in Austria, which was accompanied by the first broadcast of the film, however, was modest. Apparently, neither the local audience nor critics could figure it out. The film then disappeared again in the sinking and in the archives of the ORF. The soundtrack of the film, which appeared a short time later as long-playing record at the German major label Telefunken, but over the years developed into a sought-after cult object. Meanwhile, the eponymous “Trip” LP collects collector prices in three digits.
The Innsbruck cultural club Digatone has now dug up the rare soundtrack and makes the music from the film accessible again as lovingly made reissue. A strong gun: Under the direction of the Viennese jazz legend Fatty George, the cast of the “Trip” music-music orchestra on late-born babies seems like a little who-is-who of domestic entertainment music of the early 1970s: Fatty’s band had some later superstars Karl Ratzer, Peter Wolf, Richard Schoenherz and Leszek Zadlo, who were still at the beginning of their careers in 1971. The illustrious collective was expanded to include well-known jazz musicians from the ORF Big Band environment. And peng! The “Trip” soundtrack is a masterpiece of domestic soul jazz and also a significant piece of local pop and subculture history…..by….Bird Sputnik…..~
1.Grazing In The Grass2:58
2.I Really Hope You Do4:00
3.Crazy Mary5:12
4.It Don't Matter To Me3:24
5.Love Me Or Let Me Be Lonely3:23
6.I've Never Found A Girl (Who Loves Me Like You Do)3:34
7.Dying To Live4:15
8.Going In Circles4:28
9.I Need You3:08
10.Long Time Coming My Way2:52
11.Ain't No Woman (Like The One I've Got)3:33
12.Jenny Wants To Know2:52
13.Love Can Make It Easier4:39
14.And I Love Him4:17
15.Check It Out3:03
16.Down I Go3:10
17.I Can't Get You Out Of My Mind3:30
18.Lonesome Mood4:48
19.Time Waits For No One3:28
20.Great Day3:48 1996
Formed in 1966 after the demise of The Hi-Fi's , backing band of Ray Charles by their members Harry Elston and Floyd Butler, adding two female singers with some changes through the years.
Collaborated extensively with John Florez, Ray Cork, Jr. and Jerry Peters production wise.
Released six albums between 1969 - 1973.
Disbanded in 1975 due to lack of furthermore commercial success.
Their biggest hits are Hugh Masekela's "Grazing In The Grass" and "Going In Circles".
1–The Ghouls Dracula's Theme2:40
2–Screaming Lord Sutch And The Savages'Til The Following Night3:41
3–The Symbols Do The Zombie2:19
4–Jumpin' Gene SimmonsHaunted House2:31
5–John ZacherleDinner With Drac2:56
6–Ronnie Cook And The Gaylads Goo Goo Muck1:55
7–The ZaniesThe Mad Scientist1:57
8–Chuck Holden The Cave2:49
9–Roy ClarkSpooky Movies1:55
10–Boots WalkerThey're Here2:13
11–Screaming Lord SutchBlack And Hairy2:44
12–Terry TeeneThe Hearse2:27
13–Art RobertsTerrible Ivan2:06
14–The MoontrekkersNIght Of The Vampire2:45
15–Gary "Spider" WebbThe Cave, Part One2:24
16–The MonotonesZombi2:27
17–Screamin' Jay HawkinsAlligator Wine3:01
18–Morgus & The GhoulsMorgus The Magnifieant2:32
19–The CrewnecksRockin' Zombie2:51
20–Lord Luther(I Was A) Teenage Creature2:46
21–Bobby "Boris" Pickett(Radio Plug On K.O.R.L. For ) Monster Mash0:45
22–The Last Word Sleepy Hollow2:51
23–The Naturals The Mummy2:14
24–Rod WillisThe Cat2:19
25–Gene Moss And The MonstersI Want To Bite Your Hand2:21 2010
1Introduction
2Cogitate Loop I
3Cogitate Loop II
4Go With It Loop
5Cogitate Loop With Music
6Cogitate Loop II With Music
7Go With It Loop With Music
8Cogitate Loop With Music II Cogitate
American physician and psychoanalyst (January 6, 1915 – September 30, 2001), a pioneer researcher into the nature of consciousness using tools such as the isolation tank, dolphin communication, and psychedelic drugs, he was a member of the Californian counterculture of scientists, mystics and thinkers of late 1960s and early 70s.
スキ0:44
ゆきこさん3:09
かなしい日々。2:38
お猿5:02
根性無しあたし、あほぼけかす1:39
ちはるの恋3:46
ひみつの2人3:55
5拍子4:38
ハウリング地獄3:33
無欲の無力5:38 2008
Midori
Real Name:
小銭喜剛 (Kozeni Yoshitake), 後藤まりこ (Gotou Mariko), 加藤新 (Kato Hajime), 岩見継吾 (Iwami Keigo)
Jazz-punk band from Osaka, Japan. Formed in the summer of 2003, disbanded in December 2010.
–The BrimsAnti Gandja
–RolliesBad News
–Super KidPeople
–Shark MoveEvil War
–Golden WingHear Me
–AKA Do What You Like
–Ivo's GroupThat Shocking Shaking Day
–Ariesta Birawa GroupDidunia Yang Lain
–TerenchemJeritan Cinta
–Benny Soebardja And LizardCandle Light
–Koes PlusMobil Tua
–The Gang Of Harry RoesliDon't Talk About Freedom
–Black Brothers Saman Doye
–AKA Shake Me
–RaselaPemain Bola
–Freedom Of RhapsodiaFreedom
–Rhythm Kings The Promise
–Duo KriboUang
–MurryPantun Lama Various
01 - Wynder K. Frog - Jumping Jack Flash 04:02
02 - Spencer Davis Group Mk. 1 - Steves Groove 02:43
03 - Artwoods - A Taste Of Honey 03:11
04 - Bobby Graham - Zoom Widge And Wag 02:36
05 - Juile Driscoll Brian Auger And The Trinity - Ellis Island 04:10
06 - Dave Davani Four - Working Out 02:21
07 - Manfred Mann - One Way 03:29
08 - Graham Bond Organisation - Wade In The Water 02:41
09 - Peddlers - Horses Collar 02:07
10 - Georgie Fame And His Blue Flames - The In-Crowd 03:05
11 - Remo Four - Jive Samba 06:57
12 - Ten Years After - Adventures Of A Young Organ 02:34
13 - Zoot Monkeys Big Roll Band - Zoots Sermon 03:52
14 - Alan Price Set - Critics Choice 02:00
15 - Free - Guy Stevens Blues 04:40
16 - Small Faces - Grown Your Own 02:19
17 - Motherhood - Back In The Grass 02:36
18 - Spencer Davis Group Mk. II - New Toy 02:11
19 - Herd - Impressions Of Oliver 04:46
20 - Soul Survival - Soul Soup 03:31
21 - Steampacket - Holy Smoke 03:27
22 - Santa Barbera Machine Head - Rubber Monkey 02:38
23 - Nice - Sombero Sun 07:09 2005
Long Lost Relatives
Tumblers To The Vault3:34
Syren6:09
December Angel8:57
Ibistix8:06
Field Hymn (Epilogue)2:54
Tillicum1:51
Better Deaf And Dumb From The First2:54
Aurora Spinray3:31
Syrinx
Melina's Torch2:59
Journey Tree4:51
Field Hymn1:50
Chant For Your Dragon King10:25
Hollywood Dream Trip5:14
Father Of Light2:17
Appaloosa-Pegasus11:34
Long Lost Relics
Tillicum (Single Mix)1:51
Melina's Torch (Solo)9:47
Better Deaf And Dumb From The First (Alternate/Vocal)3:42
December Angel (Demo)10:29
Stringspace Live
Syren7:05
December Angel8:20
Ibistix7:56
Field Hymn (Epilogue)2:45 2016
Syrinx’s path veered from the dominant modes of ‘70s subculture, their version of chamber pop hybridized with wild, whimsical electronic experimentation charting new territory in the under and overground. Formed by composer John Mills-Cockell after the dissolution of Intersystems, Syrinx’s two adventurous albums, Syrinx (Self-Titled) and Long Lost Relatives, endorsed the poetic potential of the avant-garde, subverting a turn of the ‘60s trend toward technological pageantry. Tumblers From The Vault presents these two albums alongside the trio’s unheard music, revisiting the Syrinx story and sharing their memorable, mind-bending melodies.
The two instrumental albums that Syrinx issued in the early 1970s sound little like the psychedelic music prevailing Toronto’s rock venues at the time, and are even further removed from the electronic tape experimentations spooled by a younger John Mills-Cockell.
Instead, the path of Syrinx whimsically veers away from the dominant mode of ‘70s subculture, charting surprising commercial success. Tumblers From The Vault presents their entire recorded legacy, reviving the story of Syrinx and sharing their memorable, mind-bending melodies.The musicians behind Syrinx were composer and keyboardist John Mills-Cockell, saxophonist Doug Pringle, and percussionist Alan Wells. All three were young veterans of the Toronto creative scene by the beginning of 1970. LSD played a supporting role in their artistic pursuits, but equal guidance also came from Mills-Cockell’s studies at the University of Toronto and Royal Conservatory of Music, where he established an ad-hoc, DIY electronic music course in the school’s basement.
Before long, Mills-Cockell was an accomplished young composer and an important conspirator in Intersystems, a rogue, multimedia ensemble that intersected heterogenous artists and musicians via the Toronto underground. In this freeform environment, Mills-Cockell’s compositions found alert ears, among them his primary collaborator Doug Pringle, a wily wind player, and producer Felix Pappalardi, whose credits include Cream’s Disraeli Gears and who helped John land an album deal with True North Columbia.
After Intersystems dissolution, Mills-Cockell journeyed to Canada’s west coast to work on an album of original synth-based compositions using his multi-suitcase Moog as the primary instrument. Pringle was enlisted to color outside the music’s already adventurous lines, his sinuous, signal-processed saxophone adding another electrifying voice to Syrinx’s signature sound. A sound that hybridized chamber music dynamics with wild, yet tuneful electronic melodicism. With Alan Wells’ understated percussion rolled into the fold, what started as a solo venture for Mills-Cockell became a new kind of collective.
From these coastal sessions were conjured exemplary pieces like “Journey Tree” and “Hollywood Dream Trip,” both plaintive and serene expressions of Mills-Cockell’s economical arrangements, and also Syrinx’s restrained and expert use of their electronic resources. “Hollywood Dream Trip” alone presents a theme so memorable and melancholic that it calls to mind Erik Satie, John Cage’s early piano works, and the cinematic power of Golden Age soundtrack music. Syrinx’s self-titled debut arrived in 1970, followed in 1971 by Long Lost Relatives, which is highlighted as the first album on Tumblers From The Vault.
Between the two albums, Syrinx became a vital part of the Toronto music scene, with Doug Pringle’s loft serving as the central node for impromptu performances and the group’s collaborative activities. Syrinx also started receiving high profile work, first for television, film, and dance, and then for orchestra. One commission culminated commercially in “Tillicum”, the unforgettable theme music for pioneering reality television show Here Come the Seventies. As a standalone single, “Tillicum” would climb to #38 on Canada’s RPM charts. The most eventful assignment came from the Toronto Repertory Ensemble’s conductor and composer Milton Barnes, whose solicitation inspired the powerful orchestral suite Stringspace.
The studio version of Stringspace for Long Lost Relatives is a near faithful version to the live performance, the Toronto Repertory Ensemble offering the same sweeping, deeply engrossing symphonic support. (An original live version also appears on Tumblers from the Vault on the third LP, along with other rare and alternate Syrinx gems). “Tillicum” also appears on Long Lost Relatives, a nod to the group’s new visibility, and perhaps an assertion that Syrinx was part of the trailblazing new world that their television theme song signaled.Syrinx’s music is more than a faded strain in Canada’s consciousness, but has never expanded universally. One modest task of Tumblers from the Vault is to reinstate Syrinx to their place in the wider canon of groundbreaking music so their story can be appreciated beyond the limits of Canadian notoriety. Another task is to simply have this music heard again, which is an endeavor made less difficult by the fact that the most defining quality of Syrinx’s music is its timelessness and agency.
Unlike so many turn of the ‘60s experiments fusing rock and pop music language with new technology, Syrinx was never excessive in expressing their vision of what electronic music could offer. Instead, they blended these sounds in a holistic way, allowing the acoustic and electronic textures to create one organic voice. They opted to foreground the lyrical and poetic content of their compositions rather than their innovative techniques.
It’s a tribute to John Mills-Cockell’s compositions, and his comrades Doug Pringle and Alan Wells, that the tangential path of Syrinx remains as present, exploratory and inviting as ever.
Syrinx’s Tumblers From The Vault will be released on October 14, 2016 in digital format and October 28, 2016 as a triple LP set and double CD. An accompanying documentary about Syrinx by artist and filmmaker Zoe Kirk-Gushowaty will screen selectively.
