A previously unreleased cult Norwegian psych-jazz OST from 1969! A hell of a jazz soundtrack from the Norwegian scene of the 60s – and a record that can easily go head-to-head with the best Italian film scores of the time! The movie's about some young kids trying out some new frontiers in the 60s – and the music has a vibe that really fits the story – sometimes more in a jazz club vein, with great soulful styles – sometimes a bit more freaked out, like those Italian soundtracks that add a slight psychedelic current to familiar instrumentation! Most numbers here are discreet jazz tracks, not just short soundtrack instrumentals – and the musicianship is wonderful, and much more fully-formed than if the tunes were brief. Players aren't listed, but the notes indicate that some top Norway jazzmen performed on the date – and titles include "Zatek's Tema", "Club 13", "Pytagoras", "Heaven & Hell", "Mote Med Hasj", and "Vigelandsparken". The album also features one vocal track – Inger Lise Andersen singing "Heaven & Hell".
A1Child Of The Universe
Performer – The Byrds
Vocals [Vocal] – The Byrds
Written-By – Dave Grusin, Roger McGuinn
3:10
A2Birth By Descent3:21
A3Opening Night: By Surgery2:10
A4Spec-Rac-Tac-Para-Comm2:37
A5Border Town Blues: A Blunt Instrument
Trumpet [Uncredited] – Don Ellis
2:47
A6Magic Carpet Ride
Vocals [Vocal] – Steppenwolf
Written-By – John Kay, Rushton Moreve
4:25
B1Constant Journey2:11
B2Every Mother's Daughter2:04
B3It's Always Because Of This: A Deformity2:30
B4Marlon & His Sacred Bird3:05
B5Ascension To Virginity5:05
B6Rock Me
Vocals [Vocal] – Steppenwolf
Written-By – John Kay
3:41
Молодая девушка по имени Кэнди, восхищаясь талантами или доблестями своих поклонников, неизменно оказывается в их постели. Она нравится всем без исключения, и они ее вожделеют. Однако из-за этого всеобщего помешательства сначала в маленьком заштатном городке, а затем и в Нью-Йорке творятся странные вещи и даже трагедии. Там, где ступает очаровательная ножка Кэнди, мужчины сходят с ума, а женщины готовы убить друг друга.Примечания: Фильм сделан как пародия на ряд американских фильмов. Все сцены, включая завязку и финал - имеют одновременно романтический, фантастический и эротический налет. Интересные режиссерские аналогии граничат с безумием, а шутки с издевательством. Хорошая операторская съемка и смешная актерская работа известных звезд кино и мировой эстрады 60-70-х годов - все это сделало фильм культовым для эпохи хиппи и зарождающегося в ту пору постмодернизма.
A1Strassenfahrt Durch Wien
A2Ich Habe Tranen
A3Tempelmusik
A4Gospelsong
A5Wir Sind Hier Auf Einer Insel
A6Weisser Sand
A7Ich Kann's Nicht Glauben
A8Jazzwiese
B1Ein Korper Sind Wir
B2Song Ohne Worte
B3Sexsong
Der Teufel Hole... / Wie Ein Kristall In Einer Schale
B4aDer Teufel Hole...
B4bWie Ein Kristall In Einer Schale
B5Hey Boy, Come On
B6Macht Die Augen Auf
B7Spiegellied
B8Schlussmusik 1972
"Trip" was the Austrian version of the musical "Hair", just a bit more extreme in all its facets. The 1971 produced by ORF hippie opera once scared the Austrian television audience, as here drug-consuming, long-haired adolescents were shown who seek a way out of reality and find their redeemer in a dodgy guru. Embedded in glaring stage sets designed by the painter Ernst Fuchs, the narrative ultimately imploded in a hallucinogenic horror trip. The visual impression was further enhanced by a well-prepared soundtrack under the direction of Viennese musician legend Fatty George, who experimented with sitar, psychedelic funk and quirky jazz elements. In his band were future superstars, such as Karl Ratzer, Peter Wolf, Richard Schoenherz and Leszek Zadlo, who were still at the beginning of their career in 1971. After the finished production of the soundtrack, the jazz musicians joined the ORF Big Band collective, the rockers founded Gipsy Love. The "Trip" is not only an important piece of local pop history, but is universally considered among experts one of the most successful music productions of the local hippie era. The Innsbruck-based label Digatone is now releasing for the first time a lovingly restored reissue of the soundtrack LP, which at that time only appeared in small numbers and has now reached high collector's orders on file sharing. After the finished production of the soundtrack, the jazz musicians joined the ORF Big Band collective, the rockers founded Gipsy Love. The "Trip" is not only an important piece of local pop history, but is universally considered among experts one of the most successful music productions of the local hippie era. The Innsbruck-based label Digatone is now releasing for the first time a lovingly restored reissue of the soundtrack LP, which at that time only appeared in small numbers and has now reached high collector's orders on file sharing. After the finished production of the soundtrack, the jazz musicians joined the ORF Big Band collective, the rockers founded Gipsy Love. The "Trip" is not only an important piece of local pop history, but is universally considered among experts one of the most successful music productions of the local hippie era. The Innsbruck-based label Digatone is now releasing for the first time a lovingly restored reissue of the soundtrack LP, which at that time only appeared in small numbers and has now reached high collector's orders on file sharing.
(Source: ACCORDIA 1st Austrian Record Club)
Digatone present the first official reissue of Fatty George Und Silke Schwinger’s Trip the long lost and extremely rare Austrian hippie-rock/jazz/funk opera score from 1971. Features, among others, Su Kramer (also known from the Hair album and stage play featuring Czechoslovakian band The Matadors), Fatty George, Karl Ratzer, Peter Wolf, Richard Schoenherz, and Leszek Zadlo. Originally released in 1972 by Telefunken in Germany in a small quantity, and now highly collectable, the LP combines funk, pop, psychedelia, acid jazz, and gospel. Performed with electric guitar, flute, organ, sitar, and more, this music has been frequently sampled in recent years. Produced for Austrian TV, the story is about a guru who comes to Vienna to preach about a world with no technology, but with lots of drugs. However, when a young boy dies after an LSD trip, things go terribly wrong. Includes an insert supplying background information in German and English; Edition of 1000….~
Trip was an early 70s Austrian pop-opera concerning the reception given to a black messiah in the modern age. Touching on the youth concerns of the time, it made a strong impact in Austria, where this extremely rare soundtrack album was issued in 1972. Spanning funk, pop, acid jazz and gospel, with electric guitar, flute, organ, sitar and more, it has been sampled in recent years (notably the epic breakbeat in White Sand) and makes its CD debut here…..~
“Trip” is an Austrian rock opera about a guru who came to Vienna to preach life without modern technology, but with a lot of drugs, from which he eventually dies himself. The work was created by scriptwriter Silke Schwinger and jazz musician Franz Pressler (nicknamed Fetty George). It was first staged in 1971 on the stage of the Salzburg Festival, and then appeared as an album and a television movie. The recording is a jazz-funk with a powerful psychedelic guitar and a rich vocal palette…..~
Today we are dedicated to a sensational, ultimately completely forgotten climax of domestic television history and its accompanying soundtrack. Based on a play by Silke Schwinger, the revolutionary TV show “Trip” was shot in 1971 within a few days of filming. On August 8th, it aired on the ORF’s night program - and then disappeared into the archives, singing and singing.
The plot of the film is simple and good: A self-proclaimed Messiah, the charismatic preacher Ronny Nia comes to Vienna for 10 days to proclaim the universal love of God. Already on his arrival at the airport, he and his entourage expect a euphoric teen fanbase and a local press service. Unforgettable is the young Peter Rapp as an interviewing - and visibly irritated - TV reporter. All around: television cameras, autograph hunters, flower children, police.
Peppered with a top-class ensemble of German-speaking stage actors of the day (such as Julia Migenes, Su Kramer and Ron Williams), the “Trip” accompanies a group of young hippies, who have quickly formed around the prominent guest, at their debauchery, from an underground happening to the next. It is hilariously celebrated, danced and sung. And yes, drugs are probably also in the game.
But it comes, as it must come: After the initial ecstasy crashes, disillusionment and depression follow. As a member of the gang dies of an overdose, the mood tips. And since religious leader Ron still has no essential answers, the group finally breaks up. Remarkably, the narrative of “Trip” renounces the upscale, moral index finger and, in the meantime, steers towards an open, impulsive end.
The experimental design of the film, for which director Jorg Eggers was responsible, is groundbreaking for viewing habits at that time. Minute-long scenes of a single shot are followed by hallucinogenic nightmare sequences with psychedelic transitions and fast-paced sequences; an aesthetic reminiscent of the work of American underground filmmaker Kenneth Anger. A stage design specially designed by the painter Ernst Fuchs does the rest.
The media review in Austria, which was accompanied by the first broadcast of the film, however, was modest. Apparently, neither the local audience nor critics could figure it out. The film then disappeared again in the sinking and in the archives of the ORF. The soundtrack of the film, which appeared a short time later as long-playing record at the German major label Telefunken, but over the years developed into a sought-after cult object. Meanwhile, the eponymous “Trip” LP collects collector prices in three digits.
The Innsbruck cultural club Digatone has now dug up the rare soundtrack and makes the music from the film accessible again as lovingly made reissue. A strong gun: Under the direction of the Viennese jazz legend Fatty George, the cast of the “Trip” music-music orchestra on late-born babies seems like a little who-is-who of domestic entertainment music of the early 1970s: Fatty’s band had some later superstars Karl Ratzer, Peter Wolf, Richard Schoenherz and Leszek Zadlo, who were still at the beginning of their careers in 1971. The illustrious collective was expanded to include well-known jazz musicians from the ORF Big Band environment. And peng! The “Trip” soundtrack is a masterpiece of domestic soul jazz and also a significant piece of local pop and subculture history…..by….Bird Sputnik…..~
The Lions And The Cucumber
Psycho Contact, Part One
There Is No Satisfaction
Psycho Contact, Part Two
The Message
Psycho Contact, Part Three
Ghosts Or Good And Bad Onions
Psycho Contact, Part Four
Countdown To Nowhere
Psycho Contact, Part Five
Droge CX 9 1969
With their charming look of exploitation LPs, Sexedelic's Sexedelic and it's 'brother' album The Vampires' Sound Incorporation's Psychedelic Dance Party (also reissued on Wah Wah as LPS185) hide the joint works of German composers Manfred Hübler and Siegfried Schwab that were used on three classic 1970 b-movies directed by Spanish film maker Jess Franco: Vampyros Lesbos, The Devil Came From Akasava, She Killed In Ecstasy. Besides the film director and the soundtrack composers, these three films also shared the presence of Spanish actress Soledad Miranda.
Manfred Hübler's work, other than the one appeared on these three films, remains pretty unknown - although prior to partnering with Siegfried Schwab he did soundtracks for several other films and TV series from 1966 through 1969, among them Intercontinental Express (TV series, 12 episodes in 1966), Code Name Is Kill (1967), Polizeifunk ruft (TV series, 6 episodes in 1968), Der Partyphotograph (1968) and The Butterfly (1970).
Еще один музыкальный НЛО. Этот альбом весьма интересен в наши дни. Psychedelic Dance Party был записан в Audio Tonstudio, Берлин, под руководством Сигфрида Шуоба (Siegfried Schwab) и Манфреда Каблера (Manfred Kubler) (они написали все 11 треков). Действительно, у альбома был соответствующий заголовок. Он состоял из сверхъестественного вида инструментальной затактовой музыки, использующей звуковые эффекты, электрогитару и медную духовую секцию. За исключением Шуоба и Каблера, на конверте, на лицевой стороне которого была изображена женшина-вампир, не были перечислены вовлеченные музыканты. В музыкальном плане он подобен такому же странному альбому Psychedelic Underground группы Bokaj Retsiem's (Рэйнер Дегнер). Так же, как и в Psychedelic Underground была сквозная тема "Meister Jakob", связывающая все песни альбома, так и в Psychedelic Dance Party была своя сквозная композиция "Psycho Contact". Kubler неизвестен мне, но Schwab позже стал известен, как квалифицированный джазовый гитарист. Он входил в состав группы Wolfgang Dauner'а. После чего, в 1972 году он учавствовал в записи Embryo-альбома Father, Son & Holy Ghost. Название говорит само за себя, да и обложка - вампирша и летающие нетопыри.Немецкий психодел с элементами фрикаута - эстрадные трубы, фузз-гитара, тромбон, орган, фоно и флейта. Присутствует и развеселенький ситар. И никакого мрачного настроения или элементов хоррор. Пошипели и поугрожали где-то в самом начале и сразу перешли к очень качественному, а порой и неожиданному психоделу. (vital's psychedelic trip)
Состав:
Manfred Hubler (drums, bass, sitar, trumpet, trombone, organ, piano, guitar, harp, flute);
Los Capucinos (vocals);
Siegfried Schwab (drums, bass, sitar, trumpet, trombone, organ, piano, guitar, harp, flute);
Jurgen Wentorf (drums, bass, sitar, trumpet, trombone, organ, piano, guitar, harp, flute).
Рональд Гисин (англ. Ronald Geesin; 17 декабря 1943, Стивенстон, Эршир, Шотландия) — британский музыкант и композитор, примечательный своими причудливым творениями. Наибольшую известность получил как соавтор сюиты «Atom Heart Mother», а также дирижёр оркестра, который записывал исполнял эту композицию совместно сPink Floyd в 1970 году. Рон Гисин был приятелем Роджера Уотерса. Оба они любили играть в гольф и записали альбом Music from "The Body"
Точно причудливое творение !Артефакт!
The Black Beats The Mod Trade4:11
–X'LentsPsychedelia2:53
–Kalyanji AnandjiSomebody To Love (Edit)2:13
–Kalyanji AnandjiBairaag Dance Music (Edit)2:42
–R. D. BurmanDance Music From Hare Rama Hare Krishna2:15
–R. D. BurmanLekar Ham Diwana Dil5:52
–R. D. BurmanFreak Out Music3:18
–Bappi LahariEverybody Dance With Me2:57
–Kalyanji AnandjiDharmatma Theme Music3:53
–Asha Bhosle With R. D. BurmanDum Maro Dum Live (Edit)3:20
–Usha KhannaHotel Incidental Music (Edit)1:13
–Klaus DoldingerSitar Beat1:32
–Sapan JagmohanMeri Aakhon Mein Ek Sapna Hai (Edit)2:57
–Keith KangaButterfly (Version Two)3:27
–Atomic ForestMary Long3:15
–Usha KhannaTera Jasia Pyara Koi Nahin5:29
–Hemant BhoslePhir Teri Yaad3:15
–R. D. BurmanAaj Mera Dil5:29
–Kalyanji Anandji w/ Manhar & AnandHum Tumhe Chate Hain (Edit)5:43
–Ilaiyaraaja Feat. Vani Jairam & ChorusThanimayil4:14 2010
