A1Do The Freddy
Written-By – Dennis Lambert, Lou Courtney
A2Obsession
Written-By – Stephanie Davy
A3Wooly Bully
Written-By – Sam Samudio
A4Don't Sleep
Written-By – Kevin Kelly, Stephanie Davy
A5In The Midnight Hour
Written-By – Steve Cropper, Wilson Pickett
B1Dance Or Else
Written-By – Kevin Kelly, Stephanie Davy
B2All I Have To Do Is Dream
Written-By – Boudleaux Bryant
B3Down In The Boiler Room
Written-By – Kevin Kelly, Stephanie Davy
B4Elm Street Dreams
Written-By – Kevin Kelly Greatest
Vocals – Stephanie Davy
Vocals [Freddy Krueger Voice] – Robert Englund
Vocals, Guitar, Keyboards, Producer, Executive-Producer – Kevin Kelly
Notes
Recorded at Workshoppe Recording Studios, Cove City Sound Studios
A1 - Uzi and The Styles - Morning Train
A2 - The Churchills - Livin' Lovin' Maid
A3 - The Fat and The Thin - What Will Be
A4 - The Styles - What Happened To You Girl
A5 - Uzi and The Styles - Day & Night
A6 - The Churchills - Choral For Young Lovers
B1 - The Churchills - She's A Woman
B2 - Zoar Seven - Drums
B3 - The Blue Stars - I'll Try
B4 - The Styles - Down By The Beach
B5 - The Churchills - Double Concerto
B6 - The New Stars - I Can't Ask For Anything 1989
Отличная и редкая компиляция, объединяющая некоторые из самых известных групп поп / рок / ритм 60-х годов, из Израиля, все из Тель-Авива.
В начале 1960-х годов отношение Израиля к рок-музыке было первоначально отрицательным. Тем не менее, израильские музыканты в то время считали, что это будет проходящая первоначальная тенденция. Первые рок-группы Израиля начали выступать впервые в середине 1960-х годов в ночных клубах и дискотеках в Рамле, а затем на улице Ха-Масгер в Тель-Авиве. Эти группы в основном играли кавер-версии поп / рок-песен из таких групп, как The Beatles или The Shadows. Некоторые группы выделяются своим качеством в этой первой фазе израильского рока, как The Lions, The Churchills,, The Fat and the Thins, The Styles, ,The Electric Stage, The Seventh Radiance,, The Goldstars, «Sing-Sing», The Blue Stars или и другие.
01 - Wynder K. Frog - Jumping Jack Flash 04:02
02 - Spencer Davis Group Mk. 1 - Steves Groove 02:43
03 - Artwoods - A Taste Of Honey 03:11
04 - Bobby Graham - Zoom Widge And Wag 02:36
05 - Juile Driscoll Brian Auger And The Trinity - Ellis Island 04:10
06 - Dave Davani Four - Working Out 02:21
07 - Manfred Mann - One Way 03:29
08 - Graham Bond Organisation - Wade In The Water 02:41
09 - Peddlers - Horses Collar 02:07
10 - Georgie Fame And His Blue Flames - The In-Crowd 03:05
11 - Remo Four - Jive Samba 06:57
12 - Ten Years After - Adventures Of A Young Organ 02:34
13 - Zoot Monkeys Big Roll Band - Zoots Sermon 03:52
14 - Alan Price Set - Critics Choice 02:00
15 - Free - Guy Stevens Blues 04:40
16 - Small Faces - Grown Your Own 02:19
17 - Motherhood - Back In The Grass 02:36
18 - Spencer Davis Group Mk. II - New Toy 02:11
19 - Herd - Impressions Of Oliver 04:46
20 - Soul Survival - Soul Soup 03:31
21 - Steampacket - Holy Smoke 03:27
22 - Santa Barbera Machine Head - Rubber Monkey 02:38
23 - Nice - Sombero Sun 07:09 2005
Guide Me, Orion3:15
Earthglow2:52
Weightless2:35
The Planets(13:50)
Mars - Bringer Of War
Venus - Bringer Of Peace
Mercury - The Winged Messenger
Jupiter - Bringer Of Jollity
Saturn - Bringer Of Old Age
Uranus - The Magician
Neptune - The Mystic
Changes5:47
Pulsar3:08
Space Child5:47
In The Light Of Love3:32
From Now On (Immortal Invisible)4:66 1969
Bass, Guitar [12-string], Vocals – Ronnie Caryl
Drums, Percussion, Vocals – Phil Collins
Engineer – Barry Ainsworth
Guitar, Guitar [12-string], Bass, Vocals – (Flash) Gordon Smith
Organ, Piano, Vocals – Brian Chatton
Written-By – Ken HowardAnd Alan Blaikley
Notes
℗ 1969
Первая запись Фила Коллинза до Генезиса и задолго до того как он стал богатым,лысым и нудным мудаком !В рецензии на альбом сказано что он ненавидит свою первую запись
I'm not completely sure, but I think, on the Genesis albums "Genesis" and "Invisible Touch" you can find parodies to parts of ""Ark II".
The links between the single parts of "The planets" consist mainly of some kind of strings - I rather believe, they play guitars instead of violins. A similar effect can be heard in the intro of "Illegal Alien", which starts with various sound-samples, for example this one. The other parody might be the beat of "The last Domino". It is also to be found in a kind of 60s-version on one of the songs ( I believe, it is again one of the "Planets"-songs.
I might be wrong, but if not, it would be a kind of ironical review, for Collins hates his very first record...https://www.discogs.com/Flaming-Youth-Ark-2/master/327232
1Last Kiss
Written-By – Wayne Cochran
2:25
2The Coo
Written-By – Thompson, Stevens, Cochran
2:16
3Harlem Shuffle
Written-By – Kenneth A. Roane
2:29
4Get Down With It
Written-By – Bobby Marchan
2:27
5No Rest For The Wicked
Written-By – Wayne Cochran
2:38
6Goin' Back To Miami
Written-By – Charles Brent, Wayne Cochran
2:40
7Some-A' Your Sweet Love
Written-By – Abner Spector
3:03
8When My Baby Cries
Written-By – Abner Spector
3:20
9Get Ready
Written-By – William Robinson
2:26
10Boom Boom
Written-By – John Lee Hooker
3:03
11The Peak Of Love
Written-By – Billy Davis (2), Sugar Pie DeSanto
2:12
12I'm Leaving It Up To You
Written-By – Dewey Terry, Don Harris
3:07
13You Can't Judge A Book By It's Cover
Written-By – Willie Dixon
2:36
14Big City Woman
Written-By – Eddie Hinton
2:57
15Little Bitty Pretty One
Written-By – Robert Byrd
2:12
16I'm Your Hoochie Coochie Man
Written-By – Willie Dixon
2:59
17Up In My Mind
Written-By – A. Spector, B. Simms
2:48
18Somebody's Been Cuttin' In On My Groove
Written-By – Charles Brent, Wayne Cochran
3:45
19Sleepless Nights
Written-By – Charles Brent, Wayne Cochran
4:14
20Sittin' In A World Of Snow
Written-By – Charles Brent, Wayne Cochran
4:31
21We're Gonna Make It
Written-By – B. Davis, C. Smith, G. Barge, R. Minery
5:39
22Life's Little Ups And Downs (Part 2)
Written-By – Margaret Ann Rich
3:28
23C.C. Rider
Arranged By – Charles Brent, Wayne Cochran
3:46
24Riders Blues
Written-By – Charles Brent, Wayne Cochran
2:30 2005
Wayne Cochran (born 1939, Thomaston, Georgia, USA – died November 21, 2017, Miramar, Florida, USA) was an American soul singer, songwriter, and producer. He was known for his outlandish outfits and white pompadour hairstyle. In the early 1970s he retired from music to become an evangelist minister in Miami, Florida.
1–Brain Police Election For Mayor / Ride My Train Of Love
2–Brain Police I'll Be On The Inside, If I Can
3–Brain Police I'd Rather See You Dead
4–Brain Police Find Me A Moment
5–Brain Police Getting Too Much Higher
6–Brain Police Adler
7–Brain Police Gypsy Fast Woman
8–Brain Police I'll Find Love
Percussion – Benny Bennett
9–Brain Police There's A Light Over The City
10–Brain Police My World Of Wax
Bonus Tracks
11–Brain Police World Of Wax
12–Brain Police Smoking At Windsor Hill
13–Man-DellsBonnie
14–Man-DellsOh No
15–Other FourWhy?
16–Other FourSearching For My Love
17–Other FourThese Are The Words
18–Other FourOnce And For All Girl
19–Other FourYour Ma Said You Cried In Your Sleep Last Night
20–Other FourHow Do You Tell A Girl 2000
The Brain Police were one of the relatively few psychedelic groups to emerge from San Diego in the late '60s, recording an unreleased album and single in 1968-1969 before splitting up. They played pretty average, if competent, psychedelic period rock with hard rock and baroque pop influences. In these respects, they were somewhat similar to a band they toured with in the Southwest, Steppenwolf, although the Brain Police had a lighter touch and no hit-worthy songs on the order of "Born to Be Wild" and "Magic Carpet Ride." After recording the unreleased album and failing to land a major-label contract, the frustrated band broke up at a local gig in which they opened for Steppenwolf. This unreleased LP was reissued on CD by Normal/Shadoks, as were songs cut for a 1969 single and poppier 1964-1966 cuts from singles by the Man-Dells and the Other Four (bands that Brain Police songwriters Norman Lombardo and Rick Randle played in prior to 1967).
Jailhouse Rock2:14
Mary Sue2:14
I Got A Girl2:29
Rebel Woman2:43
Call Of The Wild2:31
Sizzlin' Hot2:32
Love's A-Workin'2:06
Don't Try To Change Me2:22
Fever1:59
I'm Leavin'2:34
Dr Feelgood3:03
You Tear Me Up2:16
Run Rabbit Run1:54
Midnight Sun2:48
Sugaree2:31
Black Boots2:14
Love Eyes2:39
Dobro Pickin' Man2:10
The Lucky One2:12
Shadow Of Evil3:10
Boppin' The Bug1:56
Hannah Hannah1:58
Cry Blue1:45
Good Side Of My Mind2:22
Forty Days2:09
School Work2:39
Would You Believe2:17
Sock It To Me Baby3:15 2002
Один из самых буйных и как кажется малоизвестных мастеров рок н ролльного гаража !Это стоит послушать!Звучит весело !
Dean Cartet пошумел в 60-х ,а в 70-х возник уже под настоящей фамилией Arlie Neaville
Shooting Star
All The Time In The World
California Calling
Hip Kiss
More Than Meets The Eye
Waiting For A Miracle
Loony Ali
Save Me
Gonna Work Out Fine
Town Drunk 1975
Below the Belt was the debut album by Boxer, released on the Virgin label in January 1976. The album attracted less attention for its music than for its cover art. Photographed by Alex Henderson with graphics by Richard Evans, the cover featured model Stephanie Marrian spreadeagled and naked but for a pair of shoes, with a man's arm reaching up between her legs and his boxing-gloved hand hiding her genitalia. The back cover at first showed Stephanie in complete full-frontal nudity, but later pressings covered her up with the band's belt-styled logo. The cover was completely re-designed for the US market using the band photo from the inside of the UK gatefold cover. The lineup on this album is a live show quartet with keyboardist Chris Stainton brought in during the recording sessions.
1-1The Second Untitled Track / B.93.1
Bass Guitar – Francis Pourcel
Guitar, Twelve-String Guitar – Daniel Malempré
Synthesizer, Cymbal, Voice [Screams] – Alain Neffe
Technician [Improved The Sound Quality] – Daniel Malempré
6:40
1-2The Third Untitled Track / B.30.4
Bass Guitar, Electric Guitar – Francis Pourcel
Drums, Percussion – GM Hinant
Electric Guitar, Bass [Bass On An Electric Guitar] – Paul Kutzner
Organ [Strings Organ], Synthesizer – Alain Neffe
9:30
1-3The Fourth Untitled Track / B64
Bass Guitar – Francis Pourcel
Drums, Percussion – GM Hinant
Electric Guitar – Paul Kutzner
Organ [Strings Organ], Synthesizer – Alain Neffe
4:20
1-4The Fifth Untitled Track / B.40.9
Bass Guitar – Francis Pourcel
Drums, Percussion – GM Hinant
Organ [Strings Organ], Synthesizer, Electronics [Radio] – Alain Neffe
5:45
1-5The Ninetieth Untitled Track / 10 Reverb
Bass Guitar, Electric Guitar – Francis Pourcel
Drums, Percussion – GM Hinant
Flute, Voice, Organ [Strings Organ], Synthesizer – Alain Neffe
9:00
1-6The Tenth Untitled Track / 30.2
Drums, Percussion – GM Hinant
Organ [Strings Organ], Synthesizer, Drum Machine [Rhythm Box] – Alain Neffe
9:10
1-7The Eleventh Untitled Track / 31.1
Drums, Percussion – GM Hinant
Electric Guitar, Bass Guitar [Bass Guitar With Bow, Percussive Bass Guitar] – Francis Pourcel
Synthesizer, Clarinet, Loops [Electro-Mechanical Looper], Synthesizer [Bass Synthesizer] – Alain Neffe
8:40
1-8The Sixth Untitled Track / B.80.3
Bass Guitar, Electric Guitar – Francis Pourcel
Drums, Percussion – GM Hinant
Electric Guitar – Paul Kutzner
Organ [Strings Organ], Synthesizer, Flute – Alain Neffe
13:30
2-1The Seventh Untitled Track / B.101.2
Drums, Percussion – GM Hinant
Electric Guitar, Bass Guitar – Francis Pourcel
Synthesizer, Flute, Organ [Strings Organ], Loops [Electro-Mechanical Looper], Drum Machine [Rhythm Box], Saxophone [Plastic] – Alain Neffe
22:40
2-2The Twelfth Untitled Track / 102.3
Drums, Percussion – GM Hinant
Electric Guitar, Bass Guitar – Francis Pourcel
Flute, Organ [Strings Organ], Synthesizer, Loops [Electro-Mechanical Looper], Voice, Drum Machine [Rhythm Box] – Alain Neffe
28:00
2-3The Eighth Untitled Track / KS
Bass Guitar, Bass Guitar [Percussive] – Francis Pourcel
Drums, Percussion – GM Hinant
Organ [Strings Organ], Flute, Synthesizer, Voice, Cymbal – Alain Neffe
18:56 Kosmos
Companies, etc.
Made By – Sony DADC – A0102544154-0102
Made By – Sony DADC – A0102544154-0202
Credits
Graphics [Graphism] – Tête de Porc
Liner Notes – Alain Neffe, Francis Pourcel, Guy-Marc Hinant*
Photography By – Alain Neffe, Freddy Pourcel, Unknown Artist
Recorded By – Alain Neffe
Technician [Cleaned By, Repaired By], Mastered By – Alain Neffe
Notes
Never-before-released recordings of live improvisations from 1973-78.
2CD digipack + 24 page booklet.
Instrumentation:
Claviers (string Elka Rhapsody, synthesizer Roland sh1000), saxophone soprano, flûte traversière, boîte à rythme, loops de bandes magnétiques, ring oscillator, chambre d'écho, radio.
Guitare basse Maya avec distorsion, parfois archet et écho/reverb, guitare Fender avec pédales d'effets.
Percussions: batterie Premier - caisse claire, trois toms medium, basse + grosse caisse, hi-hat et 5 cymbales Paiste et Zymbalist.
Recorded on Ampex, Sony and TDK tapes on a TC63 Sony recorder.
Never-before-released recordings of live improvisations from 1973-78.
All tracks are live improvisations.
limited edition 350 copies clear vinyl Something undoubtedly cosmic but with a DIY, home-made edge: a cosmos for sure, but dirtier than clean, noisier than technology-based. All songs are unreleased. Recorded and mixed in March 1975. After some years rather cosmic and raga-esque music, Kosmose slowly began to explore some more experimental and noisy sonic expression. At the time, the band only owned a few instruments and sound effects and, no drummer. They used to play long tracks in order to follow the trend of the alternative music of the period -- remember, this was 1975. The event was a total spectacle with an inventive light-show including
a stroboscope and a frantic projection of strange abstract slides on a giant screen by Freddy Pourcel. Some incense was burnt time-to-time. Personnel: Alain Neffe - monophonic synthesizer, flute, primitive rhythm box, bell, clumsy voice, tarang; Francis Pourcel - bass, bass with violin bow, electric guitar; Daniel Malempré (aka MAL) - electric guitar, 12-string acoustic guitar. RIYL Hawkwind, Can, Musica Elettronica Viva. https://www.soundohm.com/product/first-time-out-lp/pid/32608/
Long Lost Relatives
Tumblers To The Vault3:34
Syren6:09
December Angel8:57
Ibistix8:06
Field Hymn (Epilogue)2:54
Tillicum1:51
Better Deaf And Dumb From The First2:54
Aurora Spinray3:31
Syrinx
Melina's Torch2:59
Journey Tree4:51
Field Hymn1:50
Chant For Your Dragon King10:25
Hollywood Dream Trip5:14
Father Of Light2:17
Appaloosa-Pegasus11:34
Long Lost Relics
Tillicum (Single Mix)1:51
Melina's Torch (Solo)9:47
Better Deaf And Dumb From The First (Alternate/Vocal)3:42
December Angel (Demo)10:29
Stringspace Live
Syren7:05
December Angel8:20
Ibistix7:56
Field Hymn (Epilogue)2:45 2016
Syrinx’s path veered from the dominant modes of ‘70s subculture, their version of chamber pop hybridized with wild, whimsical electronic experimentation charting new territory in the under and overground. Formed by composer John Mills-Cockell after the dissolution of Intersystems, Syrinx’s two adventurous albums, Syrinx (Self-Titled) and Long Lost Relatives, endorsed the poetic potential of the avant-garde, subverting a turn of the ‘60s trend toward technological pageantry. Tumblers From The Vault presents these two albums alongside the trio’s unheard music, revisiting the Syrinx story and sharing their memorable, mind-bending melodies.
The two instrumental albums that Syrinx issued in the early 1970s sound little like the psychedelic music prevailing Toronto’s rock venues at the time, and are even further removed from the electronic tape experimentations spooled by a younger John Mills-Cockell.
Instead, the path of Syrinx whimsically veers away from the dominant mode of ‘70s subculture, charting surprising commercial success. Tumblers From The Vault presents their entire recorded legacy, reviving the story of Syrinx and sharing their memorable, mind-bending melodies.The musicians behind Syrinx were composer and keyboardist John Mills-Cockell, saxophonist Doug Pringle, and percussionist Alan Wells. All three were young veterans of the Toronto creative scene by the beginning of 1970. LSD played a supporting role in their artistic pursuits, but equal guidance also came from Mills-Cockell’s studies at the University of Toronto and Royal Conservatory of Music, where he established an ad-hoc, DIY electronic music course in the school’s basement.
Before long, Mills-Cockell was an accomplished young composer and an important conspirator in Intersystems, a rogue, multimedia ensemble that intersected heterogenous artists and musicians via the Toronto underground. In this freeform environment, Mills-Cockell’s compositions found alert ears, among them his primary collaborator Doug Pringle, a wily wind player, and producer Felix Pappalardi, whose credits include Cream’s Disraeli Gears and who helped John land an album deal with True North Columbia.
After Intersystems dissolution, Mills-Cockell journeyed to Canada’s west coast to work on an album of original synth-based compositions using his multi-suitcase Moog as the primary instrument. Pringle was enlisted to color outside the music’s already adventurous lines, his sinuous, signal-processed saxophone adding another electrifying voice to Syrinx’s signature sound. A sound that hybridized chamber music dynamics with wild, yet tuneful electronic melodicism. With Alan Wells’ understated percussion rolled into the fold, what started as a solo venture for Mills-Cockell became a new kind of collective.
From these coastal sessions were conjured exemplary pieces like “Journey Tree” and “Hollywood Dream Trip,” both plaintive and serene expressions of Mills-Cockell’s economical arrangements, and also Syrinx’s restrained and expert use of their electronic resources. “Hollywood Dream Trip” alone presents a theme so memorable and melancholic that it calls to mind Erik Satie, John Cage’s early piano works, and the cinematic power of Golden Age soundtrack music. Syrinx’s self-titled debut arrived in 1970, followed in 1971 by Long Lost Relatives, which is highlighted as the first album on Tumblers From The Vault.
Between the two albums, Syrinx became a vital part of the Toronto music scene, with Doug Pringle’s loft serving as the central node for impromptu performances and the group’s collaborative activities. Syrinx also started receiving high profile work, first for television, film, and dance, and then for orchestra. One commission culminated commercially in “Tillicum”, the unforgettable theme music for pioneering reality television show Here Come the Seventies. As a standalone single, “Tillicum” would climb to #38 on Canada’s RPM charts. The most eventful assignment came from the Toronto Repertory Ensemble’s conductor and composer Milton Barnes, whose solicitation inspired the powerful orchestral suite Stringspace.
The studio version of Stringspace for Long Lost Relatives is a near faithful version to the live performance, the Toronto Repertory Ensemble offering the same sweeping, deeply engrossing symphonic support. (An original live version also appears on Tumblers from the Vault on the third LP, along with other rare and alternate Syrinx gems). “Tillicum” also appears on Long Lost Relatives, a nod to the group’s new visibility, and perhaps an assertion that Syrinx was part of the trailblazing new world that their television theme song signaled.Syrinx’s music is more than a faded strain in Canada’s consciousness, but has never expanded universally. One modest task of Tumblers from the Vault is to reinstate Syrinx to their place in the wider canon of groundbreaking music so their story can be appreciated beyond the limits of Canadian notoriety. Another task is to simply have this music heard again, which is an endeavor made less difficult by the fact that the most defining quality of Syrinx’s music is its timelessness and agency.
Unlike so many turn of the ‘60s experiments fusing rock and pop music language with new technology, Syrinx was never excessive in expressing their vision of what electronic music could offer. Instead, they blended these sounds in a holistic way, allowing the acoustic and electronic textures to create one organic voice. They opted to foreground the lyrical and poetic content of their compositions rather than their innovative techniques.
It’s a tribute to John Mills-Cockell’s compositions, and his comrades Doug Pringle and Alan Wells, that the tangential path of Syrinx remains as present, exploratory and inviting as ever.
Syrinx’s Tumblers From The Vault will be released on October 14, 2016 in digital format and October 28, 2016 as a triple LP set and double CD. An accompanying documentary about Syrinx by artist and filmmaker Zoe Kirk-Gushowaty will screen selectively.
The Lions And The Cucumber
Psycho Contact, Part One
There Is No Satisfaction
Psycho Contact, Part Two
The Message
Psycho Contact, Part Three
Ghosts Or Good And Bad Onions
Psycho Contact, Part Four
Countdown To Nowhere
Psycho Contact, Part Five
Droge CX 9 1969
With their charming look of exploitation LPs, Sexedelic's Sexedelic and it's 'brother' album The Vampires' Sound Incorporation's Psychedelic Dance Party (also reissued on Wah Wah as LPS185) hide the joint works of German composers Manfred Hübler and Siegfried Schwab that were used on three classic 1970 b-movies directed by Spanish film maker Jess Franco: Vampyros Lesbos, The Devil Came From Akasava, She Killed In Ecstasy. Besides the film director and the soundtrack composers, these three films also shared the presence of Spanish actress Soledad Miranda.
Manfred Hübler's work, other than the one appeared on these three films, remains pretty unknown - although prior to partnering with Siegfried Schwab he did soundtracks for several other films and TV series from 1966 through 1969, among them Intercontinental Express (TV series, 12 episodes in 1966), Code Name Is Kill (1967), Polizeifunk ruft (TV series, 6 episodes in 1968), Der Partyphotograph (1968) and The Butterfly (1970).
Еще один музыкальный НЛО. Этот альбом весьма интересен в наши дни. Psychedelic Dance Party был записан в Audio Tonstudio, Берлин, под руководством Сигфрида Шуоба (Siegfried Schwab) и Манфреда Каблера (Manfred Kubler) (они написали все 11 треков). Действительно, у альбома был соответствующий заголовок. Он состоял из сверхъестественного вида инструментальной затактовой музыки, использующей звуковые эффекты, электрогитару и медную духовую секцию. За исключением Шуоба и Каблера, на конверте, на лицевой стороне которого была изображена женшина-вампир, не были перечислены вовлеченные музыканты. В музыкальном плане он подобен такому же странному альбому Psychedelic Underground группы Bokaj Retsiem's (Рэйнер Дегнер). Так же, как и в Psychedelic Underground была сквозная тема "Meister Jakob", связывающая все песни альбома, так и в Psychedelic Dance Party была своя сквозная композиция "Psycho Contact". Kubler неизвестен мне, но Schwab позже стал известен, как квалифицированный джазовый гитарист. Он входил в состав группы Wolfgang Dauner'а. После чего, в 1972 году он учавствовал в записи Embryo-альбома Father, Son & Holy Ghost. Название говорит само за себя, да и обложка - вампирша и летающие нетопыри.Немецкий психодел с элементами фрикаута - эстрадные трубы, фузз-гитара, тромбон, орган, фоно и флейта. Присутствует и развеселенький ситар. И никакого мрачного настроения или элементов хоррор. Пошипели и поугрожали где-то в самом начале и сразу перешли к очень качественному, а порой и неожиданному психоделу. (vital's psychedelic trip)
Состав:
Manfred Hubler (drums, bass, sitar, trumpet, trombone, organ, piano, guitar, harp, flute);
Los Capucinos (vocals);
Siegfried Schwab (drums, bass, sitar, trumpet, trombone, organ, piano, guitar, harp, flute);
Jurgen Wentorf (drums, bass, sitar, trumpet, trombone, organ, piano, guitar, harp, flute).
01.Keep on Dancing [1971 Single Version]
02.We Can Make Music (Nobby C
03.Manana (Nobby Clark)
04.Remember (Sha la la La)
05.Shang-A-Lang
06.Summerlove Sensation
07.All of Me Loves All of You
08.Bye Bye Baby
09.Give A Little Love (No String)
10.Saturday Night
11.Money Honey
12.Rock And Roll Love Letter
13.Don't Stop the Music
14.Maybe I'm a Fool to Love You
15.Love Me Like I Love You
16.I Only Want To Be With You
17.Yesterday's Hero [Single Version]
18.Dedication [Single Version]
19.Don't Worry Baby
20.It's a Game
21.You Made Me Believe In Magic
22.Don't Let the Music Die
23.The Way I Feel Tonight
24.All Of The World Is Falling In Love
25.Where Will I Be Now
26.Another Rainy Day In New York City
27.Turn On The Radio
28.Stoned Houses #1
29.God Save Rock & Roll
30.Life On The Radio
31.No Doubt About It
32.Piece Of The Action
33.When You Find Out
34.Marlina
35.Let's Go
36.Maryanne
37.Rock 'N Roller
38.Sweet Virginia
39.If You Were My Woman
40.Instant Relay Bay City Rollers
Все детство было заполнено фото этой группы,а первый альбом услышал уже в молодости,причем наверно самый слабый It's A Game 1977,тем не менее группа по своему неплохая,по моему кто то из Российской попсы 90-х даже что то перенимал или сдирал у них !
1. Les Beadochons - Pas D'Papier Water (Paperback Writer) (2:17)
2. Les Blue Notes - Rêve (Girl) (2:48)
3. Maurice Chevalier - Le Sous-Marin Vert (Yellow Submarine) (2:46)
4. Les Beadochons - A Walibi J'T'Emmène (I Wanna Be Your Man) (2:19)
5. Chapeaumelon - Joyeux Anniversaire (Birthday) (2:31)
6. Les Nouveaux Baronets - Un P'Tit Sous-Marin Jaune (Yellow Submarine) (2:32)
7. Les Beadochons - Comme Tu Dégueules (Come Together) (3:41)
8. Les Swifts - C'Est Gagné (I Saw Her Standing There) (2:56)
9. Michèle Torr - Toi L'Orgueilleux (Love Of The Loved) (2:02)
10. 18 Carats - Allo Goodbye (Helllo Goodbye) (3:12)
11. Les Beadochons - Hey Jules (Hey Jude) (3:43)
12. Bobby Leclerc - C'Est L'Amour (Here Comes The Sun) (2:49)
13. Michèle Arnaud - Je Croyais (Yesterday) (2:14)
14. Robert Demontigny - Michelle (Michelle) (2:51)
15. Les Beadochons - Les P'tites Bites (Let It Be) (3:57)
16. Bruce Scott - Je Croyais (Yesterday) (2:56)
17. I Trovatori - Tu Perds Ton Temps (Please Please Me) (1:51)
18. Le 25ème Régiment - Hé Jude (Hey Jude) (3:49)
19. Nancy Holloway - Je Veux Prendre Ta Main (I Want To Hold Your Hand) (2:23)
20. Beatlesstin - Taxman (Taxman) (3:25)
21. Bobby Leclerc - La P'tite Josanne - Elle Est Entrée Dans Notre Maison (Polythene Pam - She Came In Through The Bathroom Window) (2:07)
22. Dick Rivers - Mes Ennuis (Misery) (1:54)
23. John William - Quatre Garçons Dans Le Vent (A Hard Day's Night) (2:49)
24. Karim Buterfas - C'Etait Hier (Yesterday) (2:08)
25. Szabo - Il Pleure Dans Mon Coeur (Hey Jude) (4:08)
1. The Averns - Elle T'Aime (She Loves You) (2:05)
2. Tino Rossi - Je Croyais (Yesterday) (2:09)
3. Les Beadochons - Ticket Pour Toi (Ticket To Ride) (3:27)
4. Richard Anthony - Tout Peut S'Arranger (We Can Work It Out) (2:10)
5. Bob Smart - Michelle (Michelle) (2:48)
6. Le 25ème Régiment - Lucie Sous Un Ciel De Diamants (Lucy In The Sky With Diamonds) (3:08)
7. Dennis' Twist - Des Bises De Moi Pour Toi (From Me To You) (2:43)
8. Françoise Lemieux - Dis-Moi (Here, There And Everywhere) (2:34)
9. 18 Carats - Hey Au Secours (Help) (2:05)
10. Stereo Total - Tu Peux Conduire Ma Bagnole (Drive My Car) (2:28)
11. Mme St-Onge - Il (Help) (2:27)
12. Michel Moreno - Je Croyais (Yesterday) (3:08)
13. Dominique - Michel (Michelle) (2:33)
14. Christian & Getro - Julia (Julia) (2:41)
15. 18 Carats - Marylène (Penny Lane) (3:00)
16. Lynn - Tu Changeras D'Avis (Bad To Me) (2:01)
17. Ali Baba Et Les 4 Voleurs - Rappelle-Toi Je T'Aime (I Need You) (2:16)
18. Danny Aumont - Des Bises De Moi Pour Toi (From Me To You) (1:53)
19. Les Beadochons - L'Usine In The Sky (Lucy In The Sky) (3:30)
20. 18 Carats - Prends Un Billet Avec Moi (Ticket To Ride) (2:57)
21. Clara Bellino - T'Aime (I Will) (1:45)
22. Christian & Getro - Je Suis Revenu (I'll Be Back) (2:27)
23. Renée Claude - A Soixante-Quinze Ans (When I'm Sixty-Four) (2:35)
24. Les Clover Boys - C'Est Fou Mais C'Est Tout (Hold Me Tight) (2:26)
25. Michel Louvain - Je Croyais (Yesterday) (2:37)
Compilation of 200 (= 8 x 25) versions of Beatles songs sung in French by artists from France, Belgium, Switzerland, Canada (Quebec), The U.K., The U.S.A. and more. There are plenty more, but I had to stop somewhere.
1. Akim - Hummm Qu'Elle Est Belle (I Feel Fine) (2:21)
2. Les Baronets - Si Je Te Donne Mon Coeur (If I Fell) (2:05)
3. Franz Goovaerts - Une Fille Pour Moi (Help) (2:18)
4. Les Merseys - Jolie Rita (Lovely Rita) (2:33)
5. Pierrette Roy - J'Ai Un Secret A Te Dire (Do You Want To Know A Secret) (2:01)
6. Richard Anthony - Rien Pour Faire Une Chanson (Run For Your Life) (2:20)
7. Les Diamants - Eleonor Rigby (Eleanor Rigby) (2:01)
8. Les Baronets - Oh Je Veux Etre A Toi (I Wanna Be Your Man) (1:52)
9. Dick Rivers - Quand Je L'Ai Vue Devant Moi (I Saw Her Standing There) (2:30)
10. Gérard Saint Paul - Bang Bang Maxwell (Maxwell's Silver Hammer) (3:24)
11. Denis Barclay - Mon Rêve (I Should Have Known Better) (3:03)
12. Gérard Saint Paul - La Ballade De John Et Yoko (The Ballad Of John And Yoko) (2:32)
13. Les Kelton - Oui Je Reviens (When I Get Home) (1:58)
14. Renée Martel - Un Certain Soir (The Night Before) (2:47)
15. Sheila - Un Monde Sans Amour (A World Without Love) (2:23)
16. William Tay Et Les Rockets - Tu Changeras D'Avis (Bad To Me) (1:55)
17. Olivier Despax - Ne Mets Pas De Bleu (Yes It Is) (2:54)
18. Gérard Saint Paul - Le Long Chemin Vers Toi (The Long And Winding Road) (2:27)
19. Les Félins - Dis-Lui (Please Please Me) (2:26)
20. Jimmy Frey - Elle T'Aime (She Loves You) (2:11)
21. Les Blue Notes - Tout Peut S'Arranger (We Can Work It Out) (2:20)
22. Petula Clark - Partir Il Nous Faut (Nobody I Know) (2:32)
23. Pierre Lalonde - Aujourd'hui C'Est Congé (Bad To Me) (2:15)
24. Gérard Saint Paul - C'Est Beau Paris (Come Together) (3:54)
25. Les Merseys - Soldat De Bois (With A Little Help From My Friends) (2:20)
1. Liette Et François - Je Suis Fier De T'Aimer (If I Needed Someone) (2:24)
2. Tony Victor - Plus La Même (I Call Your Name) (2:04)
3. Tiny Yong - Huit Jours Par Semaine (Eight Days A Week) (2:44)
4. Les Baronets - Je N'Aurais Jamais Cru (I Should Have Known Better) (2:43)
5. Sheila - Hello Petite Fille (Hello Little Girl) (1:58)
6. Les Bop's - La Fille Sans Nom (Norwegian Wood) (2:03)
7. Les Baronets - Laisse-Moi Me Reposer (A Hard Day's Night) (2:28)
8. Les Bel Canto - J'En Suis Fou (Love Me Do) (2:28)
9. Les Napoléons - Tout S'Arrangera (We Can Work It Out) (1:55)
10. Starshooter - Get Baque (Get Back) (2:34)
11. Les 409 - Reviens, Reviens (Hello Goodbye) (3:16)
12. Les Baronets - Lady Madonna (Lady Madonna) (2:05)
13. Les Fortiches - Je Suis Celui (You've Got To Hide Your Love Away) (2:06)
14. Sacha Distel Et Véronique Sanson - Un Coup De Mains Des Copains (With A Little Help From My Friends) (2:29)
15. Les Baronets - C'Est Fou Mais C'Est Tout (Hold Me Tight) (2:27)
16. Stin - Hey Chien Chien (Hey Bulldog) (3:16)
17. Renée Martel - Entre Tes Bras (Good Day Sunshine) (1:56)
18. Les Monarques - Elle Est Si Belle (No Reply) (2:10)
19. Nicole Nevers - Le Jour La Nuit (You Won't See Me) (2:20)
20. Les Baronets - Un Monde Sans Amour (A World Without Love) (2:39)
21. Plume - Doctor Robert (Doctor Robert) (2:00)
22. Anne Renée - Je Veux Savoir (You Won't See Me) (2:50)
23. Michèle Richard - Quelqu'Un (Something) (3:04)
24. Gérard Saint Paul - Dis-Moi Je T'Aime [(You Know My Name (Look Up My Number)] (3:20)
25. Les Baronets - Aujourd'hui C'Est Congé (Bad To Me) (2:15) Various Artists
